From Excelsior Needle Co. to Timken: The Rise and Fall of Torrington's Standard Plant

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The Standard Plant and a Century of Making Things It was a hot May week in 2023, and J and I were already sweating through our shirts before we even made it to the entrance. We turned into the driveway off North Elm Street and passed a large Caterpillar backhoe holding up the red, white, and blue at the top of the arm. Patriotic machinery. Only in Connecticut. We moved toward the back of the complex with our eyes open, scanning for any sign of people or activity. We found cameras instead. A few of them, well-positioned across one of the buildings and up on an electrical pole, covering angles that made our original entry plan useless. We backed off, found a Plan B, and stepped into a dark room washed in tinted green light, then took the stairs down to ground level. The former Standard Plant sits along North Elm Street at a sunken grade, one story, with another building rising over the roadway to the far right when you're standing in front of it from North Street. It's the kind o...

The eXperiment


The final AEB work product

Before Final Edits


This past weekend I explored with my friend J at a very cool power plant. I've wanted to shoot inside this plant for a long time since seeing the pictures from J's portfolio. Last weekend I got to do that. This time I was armed with a new photography technique from landscape photographers that I wanted to try out. I realized landscape photographers photograph similar to what I do whilst exploring. Landscape photographers final images always have a front to back sharpness and detail that I admire. It is a similar creative process I try to emulate inside abandoned buildings all the time. Armed with only my trusty Canon T3i I set about inside finding the right composition I wanted to experiment with once I got back to my photo lab. And boy, did I shoot the hell out of this place (238 photos, 5.45GB). I didn't even document every room because of time constraints.


Lining up the shot, I clicked about nine shots at the same ISO of 100, shutter speed of 1/8, 4.0 aperture and three different focus points. As you can see below, the 6 blended shots turned out really well when zoomed in 100% but 9 shots blended together became a bit soft in the back and certain sections became a bit soft and fuzzy. Something I do not want. The 6 blended shot is on the right and the 9 blended shot is on the left. If you look closely at the "zon" word in the background you see less detail and sharpness around the letters in the 9 blended shot. As well as a bit of softness around the piping seen in example 2 comparison zoomed in 1:1.

To make sure everything seems fair and straight in this comparison test. I blended and merged the images using a third party Lightroom plugin that I have found to be quite good at blending images within Lightroom. The test image was edited into a final product. I find the HDR Merge feature in Lightroom to be lacking in the final result even with DeGhost amount turned off and even set at low. It introduced quite a huge amount of noise and even greater softness after blending 9 shots that I didn't even waste my time blending just 6.

Example 4 Comparison

Side by side they both look excellent at face value but at 100% zoomed in, a different story emerges.

Example 1 Comparison

Example 2 Comparison

Example 3 Comparison

Lightroom HDR Merge Sample

With the experimental results baring fruits at 6 photographs blending well together rather than 9 photographs. I am going to try again with something else as a subject matter. I am curious to see where 12 photographs leave me with....stay tuned.

Suffice to say I push my current equipment to its limits until I can acquire my Sony A7rIII.


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