Digital Ink'd

Last week I had the opportunity to go out in the field to find interesting subjects to pixel shift using Sony's latest a7R series the a7R IV. I always wanted to find out what I could bring back using this feature that allows users to create in-depth and highly detailed pictures using 16 shots combined into one.  218.0MP Pixel Shift File Denoising Buttery and soft. Now I have come back with results and I have found that it can be done in dilapidated warehouses and other decaying buildings but during my pixel-peeping foray I found that the background was quite soft and muddy. I happen to believe this may due to the focusing area not being selected correctly or my Zeiss Batis 25mm is not as sharp as it touts to be which could be farthest from the truth. I surmise maybe the shifting daylight may have distorted the picture but I can only test that hypothesis on another field test in whether that may not be the case.  In the example above, the 'PENT' graffiti was taken without a

What had remained from the continuing demolition with the BQE highway in the background.   Consisting of a two-block complex this four-story 200 by 80-foot brick building featured end-gabled structures with a central transverse firewall and eight round-arched window bay openings. This storehouse was accompanied by a feed mill removed in 1904-1915 and a feed storage building also on the lot. A warehouse that once fueled New York City's four-legged transports throughout the area. The warehouse was established in 1886 as a storehouse for grain, feed, and hay processing which also included a feed mill. The large property owner and independent operator Samuel Winter Bowne became noted on the New York Produce Exchange as having the commercial capacity to store 600,000 bushels onsite.  Eventually, the storehouse complex no longer became a major economic engine for the City once in the 1930s the city moved away from horses to cars and trucks as canal grain traffic started to dry up as gr